I’ve abandoned the usual Sunday morning croissant and a listen to the Archers omnibus today. Instead I’m heading to that London and the RAW Fair (openRead More
The wines of Miha Batic a natural wine producer in Slovenia; photos and tasting notes taken while sampling the wines in the vineyard.
Two European trips in quick succession – Slovenia followed by Tuscany. Never been to either before. Both were rapidly-scheduled press trips but they did yield quiteRead More
Opening with the ‘basic’ wines he was almost apologetic at their simplicity. Personally I found them a delight; no idea of price at the time (the top of the range comes in at a very reasonable €20 cellar door) but to a bottle these ‘lesser’ wines were lovely, offering a balanced richness, a true regional acidic streak in the RI.VA.LE Chianti and a touch riper, softer palate to the Vino Nobile di Montepulciano.
Having a hearty penchant for such desserts rather surprised I haven’t attempted to make a Torta Della Nonna myself. It’s a traditional Tuscan dessert that combinesRead More
This little place, the Slovenian equivalent of neighbouring Italy’s Agriturismo, has the most stunning view. Just below the veranda vines hug the hillside. Across the valleyRead More
I’ve abandoned the usual Sunday morning croissant and a listen to the Archers omnibus today. Instead I’m heading to that London and the RAW Fair (openRead More
The wines of Miha Batic a natural wine producer in Slovenia; photos and tasting notes taken while sampling the wines in the vineyard.
Two European trips in quick succession – Slovenia followed by Tuscany. Never been to either before. Both were rapidly-scheduled press trips but they did yield quiteRead More
We Spit... So You Can Swallow
© 2004-2013 Spittoon.biz All Rights Reserved

There are two popular theories:
1) It was used to help align/stack bottles of champagne at a downward angle to help with riddling (shifting the bottle a slight turn every so often to move the sediment up towards the cork for later removal).
2) It helps to consolidate the sediments in an older wine so that less of the sediment is poured out with the wine.
I’ve poured a lot of wine in my life, from bottles both with and without punts, and still don’t know if there’s a right answer to this question. It is often used (along with a slight inwards taper to the bottle) as an indication of a “better” bottle of wine.
I think that the true reason behind why they have punts may have been lost over time, I have yet to see conclusive evidence of the numerous theories that get argued over.
Off the top of my head, some of the ones that I have seen are;
* Balance - It is proposed that older, hand blown bottles may have been prone to tipping over, the punt acted as a stabiliser.
* Strength - I have seen it said that the punt gave the bottle an extra measure of structural integrity (although I have also read some convincing arguments against this).
* Part of the process - The still-warm blown bottle would be placed on a rod to cool, making an indentation in the base OR The bottle would be spun on a rod while being blown into shape, causing an indentation in the base while it spun.
* Champagne - Once or twice I’ve seen someone mention that it made Champagne bottles easier to stack while undergoing production with sediment falling into the neck to be dispelled.
* Sediment - Some say that the punt assists in either forming or collecting sediment from red wines.
As to some reasons why they are still in use;
* Tradition - As well as making it easier for the bottle to be held horizontally in a neat manner while pouring.
* Marketing- The larger the punt, the larger the external size of the bottle can be made while still holding 750ml. This can give the illusion that a wine is of high quality because of the weight/size of the bottle.
I probably missed one or two, everyone seems to have a different idea.
The Champagne stacking one is a popular rationale, though it obviously only makes sense for sparklers.
I tend to favor the balance explanation. The ability to shape bottles with molds has been around since the early 18th century, but if you had a perfectly flat bottom, and there was an imperfection in the blowing (even with molds, people were hand blowing the glass into the mold), it would readily wobble. Imagine an otherwise flat surface with a slight protrustion.
The aforementioned Part of the Process is the truth, and since The Punt (or Kick, or Kick-up) has always been there so it shall stay. The punt also alleviates some pressure on the bottom of bottles during the corking process, and the second in-bottle fermentation of “Methode Champenoise.”
M. Cimino
Sommelier – Alpine CC, NJ
Before wine bottles were moulded, they were
blown. After the bottle was finished the soft
bottom was cut off,leaving sharp edges if left
to cool. The still soft glass was pushed up
inside to prevent cutting people and table tops.
a
P.S. for “L.B. Vittes” post.
This info.was given to me by a champagne
maker in Reims.